Brandon Dalmer questions how digital information is lost through the process of endless copying, transference, and manipulation as the artificial affects our perception over time.

Brandon A. Dalmer (b.1984) recently completed their MFA at Concordia University. Their work explores the way images are generated and the tenuous understanding we have with expanding technologies. Through the use of fabrication, generative processes and robotic assistance his painting practice aims to contextualize and elucidate the often unseen processes underlying our everyday lives. This also acts as a method of archive. His practice is open-source allowing others to expand upon it, granting a form of technological undeath. Dalmer has participated in a number of residencies and exhibitions across Canada and internationally. He currently lives and works in Tiohtiá:ke/Montréal.