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What defines visual truth in an era when both the natural world and the notion of truth itself face unprecedented threats? Museum Studies responds by critically examining how museum dioramas–once considered authoritative and authentic representations of nature–shape our understanding of the environment. Once celebrated as timeliness depictions of pristine wilderness, museum dioramas now stand as poignant reminders of ecological loss.
Ottawa artist Christine Fitzgerald reinterprets these displays by reviving historical photographic processes in the context of present-day environmental concerns, challenging assumptions about authenticity and representation. Her unique hand-printed prints transform the natural history diorama into a metaphor for life amid increasing environmental change. The artworks encourage critical dialogue about environmental change and the visual constructs that shape our understanding of it.
Left: Diorama, Caribou, 2025
Tricolour gum bichromate impressions on palladium print, printed on archival rag
Size unframed: 26”x 34” (image + brush strokes), Framed size: Approximately 32”x 40”, Custom walnut frame, UV plexiglass. Edition: 1/1 (no AP).
Diorama, Wolf, 2026
Tricolour gum bichromate impressions on palladium print, printed on archival rag.
Size unframed: 19”x24” (image + brush strokes)
Framed size: Approximately 32”x 40”
Custom maple frame, UV plexiglass.
Edition: 1/1 + AP-1