nichola feldman-kiss creates across disciplines with emphasis on relational, lens and hybrid media technologies presented as social engagement, institution intervention and public installation. feldman-kiss’s process-rich research proposes identity as a fugitive concept while focusing on the body as a contested site of cultural production.

The artist’s 25 year oeuvre is an ongoing critique of the Colonial paradigm (the violent ingestion of land, resources, peoples and cultures). Their artworks and installations lay bare the entanglements of globalised order that insist rights onto some while withholding the same entitlements from others, and ask us to reconsider difficult questions about what it means to be conscious social bodies within the contemporary moment. nichola feldman-kiss art and technology innovations and institution interventions have been hosted by the National Research Council of Canada, the Ottawa Hospital Eye Institute, Canada's Department of National Defence, and the United Nations among others.

nichola feldman-kiss holds an MFA from California Institute of the Arts. She a is a first-generation Canadian of the Caribbean diaspora and a repatriated citizen of Germany and Jamaica live working between Toronto (Tkaronto) and rural Newfoundland (Ktaqmkuk).